Category: Focus

ABSTRACT
The Austrian government recognized the state of Israel de facto on March 15, 1949. A year later Austria’s first diplomatic representative arrives in Tel Aviv: Consul First Class Karl Hartl, born in 1909 in Vienna and married to Franziska Grünhut, a Jewish physician. He was a socialist and during the war had been active in the French resistance. In his reports he describes and analyzes nearly all aspects of the political, social, and economic life in Israel and the relations with Austria. The longer he is in Israel the sharper is his criticism of the young state, in his opinion an “artificial state,” which has a border “that sweats blood.” He is convinced that Israel has to be content with “what it really is – a small, very poor country. And only peace with the Arabs will lead to this meager halfway-secure existence.” With respect to the Arabs, Israel has reformulated the old law of the desert: “No longer a tooth for a tooth, but a whole set of teeth for a tooth.” By the time Hartl left Israel in 1955 he called himself an antisemite.

ABSTRACT
This essay examines how the main historical writings in languages other than Italian (mostly English) published in the first forty years after the end of the war addressed the role played in the arrests and the deportations of the Jews in Italy by Mussolini’s Italian Social Republic (Repubblica Sociale Italiana) between the autumn of 1943 and the spring of 1945. It discusses what reconstruction of this single, salient aspect in the Italian chapter of the Shoah has been advanced or accepted by foreign historians.
To this end, I have selected the (few) existing texts on Italy and the works offering a reconstruction of the Shoah in its entirety, adding the most significant essays published in periodicals or collective volumes and a few of the many books devoted to specific aspects of that event.
As I see it, a complex contagion has taken place between the historical reconstruction of the “final solution,” the ethical judgement on it, the containment policies towards post-war Germany, the quest by the successor states of the non-German collaborationist countries to pursue their own “moral absolution.”

ABSTRACT
By drawing on the literary and intellectual trajectory of the writer Primo Levi, the essay underlines the most relevant turning points in the shaping of an Italian memory of the Shoah. A contextualization of Levi’s work puts into evidence the intermingling of national and international factors in this process, as well as the role a single individual can play in the shaping of a collective memory.

ABSTRACT
Evliya’s description of his journey in 17th century Ottoman Palestine is a good example of the importance of travelogue, especially as it gives another viewpoint, that of a Muslim scholar. Through his eyes, it is possible to see the country, hear local traditions and get a better understanding of realities in that time and place. This article should be considered as an attempt to initiate either a greater research project on Evliya’s Seyahatname concerning Palestine or a collection and publication of other Muslim travelers’ narratives from the Ottoman period, which are scarce and not always accessible.

ABSTRACT
Rich in historical details and artistic illustrations of the Near East and the Holy Land, the selected accounts of journeys and pilgrimages written by European and American Christians (Catholic and Protestant) provide numerous and broad sets of views, landscapes, sketches and scenarios. This article analyses them in order to define and point out the structure and the ratio of organizing and cataloguing these “epic” stories, and their relationship and connection with the socio-political dimension of the time. In particular, this article analyses the concept and the image produced by Christian missionaries and travelers of various affiliations, thus identifying similarities and differences between their visions of the Holy Land and pointing out to what extent they contributed to the creation of an univocal “Christian” image of the Holy Land during the 19th century and/or there were perceptible and significant divergences.

ABSTRACT
In 1842 the middle-aged Austrian Ida Pfeiffer (1797-1858) set out for the Holy Land. To counter protests from her family, horrified by her plan to travel alone, Pfeiffer, who became a well-respected travel writer, disguised this journey as a pilgrimage. Her travel diary, which appeared as Reise einer Wienerin in das Heilige Land (1844; A Visit to the Holy Land, 1852), gives immediacy to her perceptions and conveys the excitement she felt despite the many hardships of the journey. In it she presented herself as a religious woman eager to visit sacred sites, but she also relished the freedom of traveling and she commented on life in the Holy Land at that time, views that were widely disseminated because of the book’s popularity in Europe. Her diary vividly depicts her own perceptions of being a “pilgrim,” presents a picture of life in the Holy Land, as she experienced it, and reveals the difficulties she encountered as a woman traveler.

ABSTRACT
This paper aims at offering valuable insights into the complex encounter between 19th-century Western travelers and the urban landscape of Palestine. The first part shows that, despite their efforts to distance themselves from the religious overtones of their predecessors, visitors tended to shove aside what they considered as ‘inauthentic’ or the product of acculturation in favor of a more conventional portrayal drawing on biblical imagery. This idealized vision was bound to struggle with disappointment, and the second part of this paper looks at how the representations of the city moved in the course of the 19th century from a purely pictorial transposition to a more practical and informed understanding of otherness. Travel writers began to devote considerable portions of their narratives to various aspects of life in the oriental town, while still predominately focusing on what they viewed as exotic and remote in comparison to European, and to a larger extent, Western culture.

ABSTRACT
This article analyses perceptions of the Holy Land through the pictorial representations of Jewish holy places in the Romanian Moldavia synagogues from the mid-19th to the mid-20th century. These images implied the sanctity of the biblical land and the belief in its messianic revival by the Jewish people. Some synagogue artists ‘domesticated’ their paintings of a never-seen land by depicting those remote places according to features characteristic of familiar local landscapes.