ABSTRACT
This article focuses on a recent turning point in the history of gazes in and of Jerusalem. For decades, the Muslim structure of the Dome of the Rock and the Jewish Western Wall served as a primary (dual) image for Jerusalem. Yet since the 1990s, there has been a transition towards framing the city as exclusively Jewish, with a focus on the Tower of David as the new icon. This transition embodies the political shifts to an ethno-national agenda combined with the neoliberal zeitgeist.
issue 06 / December 2013
