ABSTRACT
In recent years, graphic novels have staked a claim for cultural respectability, especially through their often-bold analysis of divisive social and political issues; for instance, in travelogues exploring today’s Israel and Palestine. This article analyses Joe Sacco’s Palestine (1993-6) and Footnotes in Gaza (2009), Sarah Glidden’s How to Understand Israel in 60 Days or Less (2010), and Guy Delisle’s Jerusalem: Chronicles from the Holy City (2012) to demonstrate how graphic artists update the long cultural tradition of travel to the Holy Land representations. I argue that graphic novels are a contemporary chapter in portrayals of what the corpus describes as a decidedly unholy land of conflict.
issue 06 / December 2013
