Focus Archives - Page 2 of 18 - Quest. Issues in Contemporary Jewish History

“We Are No Soldiers”: Jewish Unmanliness in English Renaissance Drama

ABSTRACT This article explores the denigration of Jewish manhood on the English Renaissance stage and the ways that the inherently performative space of the theater and the collective experience of spectatorship created the ideal conditions for reconstructions of Jewish-Christian power relations. I argue that canonical late sixteenth-century plays incorporated emasculating humor about Jewish men to exercise control over those that challenged white Christian dominance. By analyzing a dramatic culture that represented Jewish male figures as being unfit for martial action, humiliatingly emotional, and physically inferior, I show how gendered constructions of Jewishness provide evidence of Renaissance theater’s celebration of Christian supremacy in one of the most popular secular spaces of the day at the same time that it secured associations of Jewish unmanliness in the English cultural imagination for centuries to come.

issue 24 / n.2 (2023) by Becky S. Friedman

On Kabbalah and “Wasted Seed” in Seventeenth-Century Poland: A Chapter in the History of the Male Jewish Body

ABSTRACT This essay begins by conceptualizing a “kabbalistic masculinity” characterized by pious discipline and a presumption to cosmic influence. This ideal was embodied in the kabbalistic discourse about the sin of “wasted seed,” or improper emission of semen. Kabbalists developed theories and practices intended to prevent the wasting of seed, atone for its spiritual consequences, and neutralize its demonic effects. I then trace these themes in texts from seventeenth-century Poland, beginning with Meir Poppers’ ethical text Or Tzadiqim, which wove theoretical Lurianic kabbalah into everyday routines and embodied practices. Finally, I turn to Poppers’ relative and student Joseph b. Solomon Calahora, the darshan (preacher) of Poznań. Calahora composed and published the first Hebrew book devoted exclusively to the causes, consequences, and cures for wasted seed: Yesod Yosef (Frankfurt an der Oder, 1679). These texts and their contexts show how the kabbalistic discourse on wasted seed played out, both individually and communally, in the bodies of early modern Jewish men in East-Central Europe.

issue 24 / n.2 (2023) by Avinoam J. Stillman

Sodomy, Homosociality and Friendship among Jewish and Christian Men: The Proceedings Against Lazarro de Norsa (Modena, 1670)

ABSTRACT At the heart of the sodomy trial against Lazarro de Norsa in 1670 before the Modenese Inquisition lies a relationship between the Jewish tailor Lazarro and the son of the household, Cesare Cimicelli. Lazarro sleeps, not in the servants’ quarters, but with Cimicelli. There is nothing unusual or sinister about two men sharing a bed, but when two men of different faiths and status do so it gives rise to gossip and suspicion. This essay focuses on enmity, friendship and homo-sociality among Jews and Christians in an early modern Italian Christian household. It shows how men had a primary role within this domestic space and how relationships between servants could be made and unmade. It also reveals an unusual case in which a Jew appearing before an inquisitorial tribunal was successfully defended by a Christian procurator, paid for by the head of the Christian household, Signor Enrico Cimicelli.

issue 24 / n.2 (2023) by Katherine Aron-Beller

Paternal Affliction: Emotions and Masculinity among Eighteenth-Century Italian Jewish Merchants

ABSTRACT This essay focuses on the “rhetoric of paternal affliction” that late eighteenth-century Italian Jewish merchant patriarchs employed in letters and supplications addressing threats to their intertwined paternal and commercial authority, particularly when filial disobedience or apostasy was involved. I examine this rhetoric as an emotional style that illuminates Jewish merchant masculinity. Although the image of a suffering father seems to deviate from known early modern models of hegemonic masculinity, within the context of the eighteenth-century culture of sensibility this rhetoric emphasized Jewish patriarchs’ honesty and righteousness, beseeching male compassion and sympathy. By performing vulnerability vis-à-vis Jewish associates, as well as Jewish and state authorities, the vocal expression of paternal affliction was meant to reinforce threatened mercantile patriarchal power. This complicates our understanding of early modern fatherhood, demonstrating that a sentimental display of masculine helplessness went hand in hand with better-known notions of hegemonic paternal authority.

issue 24 / n.2 (2023) by Francesca Bregoli

A Modern Lycaon: Recalling Ovid’s Metamorphoses in The Merchant of Venice

ABSTRACT
The article examines the role of “wolvish” characteristics and their association with Jewish identity in Shakespeare’s The Merchant of Venice. Scholars have long noted the tendency of non-Jewish characters in the play to identify Shylock as canine. But this canine character, although fixed in its essence to Shylock, never remains the same, fluctuating between the various designations of “dog,” “cur,” and “wolf.” The essay argues that whereas the “dog” and “cur” designations function as manifestations of Christian typological thinking, the description of Shylock as a “wolf” belongs in a mythic view of humans and their place in the world. Thus, in The Merchant of Venice it is not only the human-animal distinction that remains unstable, but also the category of the “animal” itself. At stake is the accommodation of two different conceptions of animality: one belonging in Christian typology, and the other rooted in a mythical natural history. The distinction between these different categories, far from being trivial, has political, legal, and theological implications.

issue 23 / n.1 (2023) by Noam Pines

Tza’ar ba’ale hayyim: Jewish Animal Rights Advocacy and Vegetarianism, from Rabbi Avraham Yitzhak Ha-Kohen Kook’s A Vision of Vegetarianism and Peace to Jonathan Safran Foer

ABSTRACT
Tza’ar ba’ale hayyim is one of the fundamental principles in Jewish law, enunciated in the Bible and then accepted as a mandatory norm in Talmudic tradition, banning any form of unnecessary pain on animals, and requiring people to minimise physical and psychological animal burden, especially, but certainly not exclusively, in ritual slaughtering. Over the hundred years, following the development of meat industry aiming to maximise profits to the detriment of animal’s fundamental rights, and with a dramatic impact on the natural environment, several rabbinical authorities have interpreted this principle in broader terms, recommending people to opt for vegetarian diets that are not only morally preferable, but also ethically more recommendable as environmentally more sustainable. The aim of this paper is to offer a succinct view on the meanings and interpretations of Jewish vegetarianism, from its biblical inception, through the rabbinical debate, to more recent interpretations among religious and secular authorities.

issue 23 / n.1 (2023) by Piergabriele Mancuso

Kids f or Calves : Children Against Slaughter in Fin – de – siècle Jewish Literature

ABSTRACT
Several canonical works of Modern Jewish literature, written in Hebrew and Yiddish at the turn of the twentieth century, distinctly depict an anti-slaughter stance. Jewish approach to animal slaughter has been largely ambivalent, from the biblical creation story in Genesis 1, where human nutrition was limited to plants only, to various restrictions on the practices of killing and consuming animals—in many cases, due to the religious obligation to care for animals (tza‘ar ba‘ale hayyim). In this article, I seek to critically analyze three literary works, in which the anti-slaughter stance is voiced by children protagonists: Mordecai Ze’ev Feierberg’s “The Calf” (“ha-’Egel,” 1899), Mendele Mocher Seforim’s “The Calf” (“Dos Kelbl,” 1902), and Sholem Aleichem’s Motl the Cantor’s Son (Motl Peyse dem khazns, 1907). These stories will be examined in the light of the religious ambivalence toward animal slaughter and contextualized within relevant socio-historical conditions.

issue 23 / n.1 (2023) by Naama Harel

Troubling the Boundaries: Human and Animal Spaces in Yitzhak Orpaz’s Nemalim (Ants) and Italo Calvino’s La formica argentina (The Argentine Ant)

ABSTRACT
The essay explores the portrayal of insects in literature, focusing specifically on the representation of ants in Yitzhak Orpaz’s Nemalim (Ants) and Italo Calvino’s La formica argentina (The Argentine Ant). Both stories delve into the dynamics of species interaction, specifically into the response of two married couples whose homes or apartments are invaded by ants. Despite the humans’ efforts, particularly those of the husbands’, to regain control of their territory, they are unsuccessful. Throughout the narratives, the ants, functioning as a superorganism, exhibit a greater degree of agency compared to the human characters. The house or flat transforms into an anthill, effectively reverting the anthropized space into a natural environment. Consequently, the two species intertwine, mingle, and hybridize. This analysis will be conducted through the lens of animal studies, highlighting the themes of animal agency and Otherness, which are particularly significant when considering insects. Additionally, the essay will draw upon the concept of consilience between the humanities and sciences.

issue 23 / n.1 (2023) by Anna Lissa

Man, Interrupted: Abjection, Animality and Agency in Donkey by Sami Berdugo

ABSTRACT
Donkey’s presence is an essential characteristic of the Israeli Palestinian landscape. This essay addresses the donkey as an agent of a subjectivity that has been denied by the Israeli establishment, through a reading of Sami Berdugo’s novel, Donkey (2019). The essay examines the political functionality and biopolitical significance of the donkey as a metaphor, companion, and scapegoat. I argue that Berdugo portrays the donkey as the agency that enables a transition from object/other to subject. This subjectivity is built on human/animal continuity and fluidity; in his novel, Berdugo collapses the boundaries between his protagonist and Donkey and renders what in life resists power, domination, and eventually the different forms of death. The essay analyzes the alternative sociopolitical matrix that Berdugo portrays in which animality mobilizes a change; it also examines Berdugo’s literary strategy of “interrupting” the hegemonic cultural tyranny that has established, for years, rigid boundaries between humans and animals and by that denies freedom. Berdugo challenges “accepted” categories such as heteronormative sexuality, masculinity, and standard Hebrew through abjection and perversion; he “interrupts” and teases out the tyrannies of sexual and gender normativity by questioning and queering heteronormativity. Challenging the “accepted” and revealing its under-the-surface wounded matrix, is a literary concern that Berdugo has had for a long time; however, in Donkey he criticizes the Israeli tragic biopolitical condition, and he also challenges the narrator’s traditional stance. The essay discusses ecological and biopolitical issues that reveal the tragedy of both humans and donkeys in Israel, and particularly in the southern periphery. Reading the Israeli reality through the human-cum-donkey prism renders the neglected peripheries as an alternative Israeli existence, which forms the sociopolitical subtext of Berdugo’s novel. It is here, in the periphery of mental and material poverty, that Berdugo insists on the very idea of life.

issue 23 / n.1 (2023) by Riki Traum

Category: Focus