In this article, the author investigates the discussion on migration from Habsburg Central Europe to the United States, highlighting the movement of artists and musicians in popular entertainment as an understudied migration pattern. During the fin de siècle, migration and mobility for social, economic, political and/or professional reasons determined the patterns of everyday life; in turn, a new quality of mobility determined Habsburg Central Europe. Drawing on the example of the migration movement between the Habsburg Empire and the United States, the paper examines the place of Jewish migrant experiences in the broader context of masses of people on the move. To this end, the article compares experiences of migration such as migration of single men, women but also children and presents findings from oral history interviews of Jewish migrants, newspaper articles and correspondence.
Tag: Habsburg Empire