This essay focuses on the “Sephardic Portraits” of Daniel Quintero (Málaga 1949-), a leading Spanish figurative painter. In these paintings, composed over the last twenty-five years, Quintero portrays contemporary Sephardi figures alongside medieval and early modern Iberian Sephardi Jews. To provide a face to these historical figures (Maimonides, Samuel Halevi, Benjamin of Tudela, Gracia Mendes) Quintero finds inspiration in contemporary Spaniards. Alongside these portraits, a group of still lifes connect the past and present of Jewish Spain. Seen through the methodology of “curatorial dreaming” proposed by Shelley Ruth Butler and Erica Lehrer, these portraits and still lifes construct a genealogy and perform a particular cultural memory. They establish a relationship between a past that remains in the faces, gazes and gestures of those who forgot it and a present that works to make those traces visible through a re-engagement with the memory of Jewish Spain.